“Sometimes I think I have always been sitting like this. I sometimes think I have always been sitting like this, alone by an indifferent fire, curtains closed, night, winter. — Harold Pinter, Family Voices: A Play for Radio. (Grove Pr; First Edition edition (November 1, 1981)
Here, the walls are made of moon and stars, and each breath is mingled with tender coolness like a shiver from lips to lips. — Pauline Albanese, The Closed Doors. (CreateSpace Independent Publishing Platform; 1 edition October 3, 2015)
The scene is memory and is therefore non-realistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart. — Tennessee Williams comments about the concept of his “memory play,” The Glass Menagerie, which… Continue reading Tennessee Williams
Vladimir: Did I ever leave you? Estragon: You let me go. ― Samuel Beckett, Waiting for Godot. (Grove Press; 1 edition, May 17, 2011) Originally published 1952. Premiered 5 January 1953 at theThéâtre de Babylone, Paris France.
When he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with the night And pay no worship to the garish sun. — William Shakespeare, Romeo and Juliet: Act III, Scene ii
To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life’s but a walking shadow, a poor player That struts and frets his hour upon the stage And… Continue reading William Shakespeare
ELEKTRA : Oh my love take me there. Let me dwell where you are. I am already nothing. I am already burning. — Sophocles, Electra. 410 B.C.E. (tr. by Anne Carson)