Avant-garde · Classic · Drama · Dramaturgy · Excerpt · Fiction · French Culture · French Literature · Irish Culture · Irish Literature · Modernism · Paraphrase · Passage · Play · Postmodernism · Quote · Stream of Consciousness · Theatre · Theatre of the Absurd

Samuel Beckett

The tears of the world are a constant quantity. For each one who begins to weep somewhere else another stops. The same is true of the laugh. ― Samuel Beckett, Waiting for Godot. (Grove Press; 1 edition, May 17, 2011) Originally published 1952. Premiered 5 January 1953 at theThéâtre de Babylone, Paris France.

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Avant-garde · Classic · Drama · Dramaturgy · Excerpt · Fiction · French Culture · French Literature · Irish Culture · Irish Literature · Modernism · Paraphrase · Passage · Play · Postmodernism · Stream of Consciousness · Theatre · Theatre of the Absurd

Samuel Beckett

Vladimir: Did I ever leave you? Estragon: You let me go. ― Samuel Beckett, Waiting for Godot. (Grove Press; 1 edition, May 17, 2011) Originally published 1952. Premiered 5 January 1953 at theThéâtre de Babylone, Paris France.

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Avant-garde · Classic · Drama · Dramaturgy · Excerpt · Fiction · French Culture · Irish Culture · Irish Literature · Modernism · Paraphrase · Passage · Play · Postmodernism · Quote · Stream of Consciousness · Theatre · Theatre of the Absurd

Samuel Beckett

There’s no lack of void. — Samuel Beckett, Waiting for Godot. . (Grove Press; 1 edition, May 17, 2011) Originally published 1952. Premiered 5 January 1953 at theThéâtre de Babylone, Paris France.

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Avant-garde · Classic · Excerpt · Fiction · Irish Culture · Irish Literature · Modernism · Paraphrase · Passage · Quote · Stream of Consciousness · Theatre of the Absurd · Trilogy

Samuel Becket

Weary with my weariness, white last moon, sole regret, not even. To be dead, before her, on her, with her, and turn, dead on dead, about poor mankind, and never have to die anymore, from among the living. Not even, not even that. My moon was here below, far below, the little I was able… Continue reading Samuel Becket

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Avant-garde · Classic · Excerpt · Fiction · Irish Culture · Irish Literature · Modernism · Novel · Passage · Stream of Consciousness · Theatre of the Absurd · Trilogy

Samuel Beckett

I’m all these words, all these strangers, this dust of words, with no ground for their settling, no sky for their dispersing, coming together to say, fleeing one another to say, that I am they, all of them, those that merge, those that part, those that never meet, and nothing else, yes, something else, that… Continue reading Samuel Beckett

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Samuel Beckett

And I shall resemble the wretches famed in fable, crushed beneath the weight of their wish come true. And I even feel a strange desire come over me, the desire to know what I am doing, and why. So I near the goal I set myself in my young days and which prevented me from… Continue reading Samuel Beckett

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Avant-garde · Classic · Excerpt · Fiction · Irish Culture · Irish Literature · Modernism · Paraphrase · Passage · Quote · Stream of Consciousness · Theatre of the Absurd

Samuel Beckett

It is better to adopt the simplest explanation, even if it is not simple, even if it does not explain very much. A bright light is not necessary, a taper is all one needs to live in strangeness, if it faithfully burns. — Samuel Beckett, Malone Dies. (Grove Pr, February 1978) Originally published 1951.

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Avant-garde · Classic · Excerpt · Fiction · Irish Culture · Irish Literature · Modernism · Novel · Paraphrase · Passage · Postmodernism · Quote · Stream of Consciousness · Theatre of the Absurd

Samuel Beckett

If there is one question I dread, to which I have never been able to invent a satisfactory reply, it is the question what am I doing. ― Samuel Beckett, Molloy. (Grove Press, January 12, 1994) Originally published 1951.

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