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William Faulkner

I said You don’t know what worry is. I don’t know what it is. I don’t know whether I am worrying or not. Whether I can or not. I don’t know whether I can cry or not. I don’t know whether I have tried to or not. I feel like a wet seed wild in… Continue reading William Faulkner

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Tennessee Williams

The scene is memory and is therefore non-realistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart. — Tennessee Williams comments about the concept of his “memory play,” The Glass Menagerie, which… Continue reading Tennessee Williams

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Steve Scafidi

To A Lady Reading The whipsaw beloved noise of someone whispering right in your ear. That and the sudden small hillside of your left breast in your open hand. A caress so tender it makes the earth break under your feet. These sting the underneath of my tongue and though they are only words I… Continue reading Steve Scafidi

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Truman Capote

The brain may take advice, but not the heart, and love, having no geography, knows no boundaries: weight and sink it deep, no matter, it will rise and find the surface: and why not? any love is natural and beautiful that lies within a person’s nature; only hypocrites would hold a man responsible for what… Continue reading Truman Capote

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Margaret Mitchel

Perhaps — I want the old days back again and they’ll never come back, and I am haunted by the memory of them and of the world falling about my ears. — Margaret Mitchell, Gone With The Wind. (Grand Central Publishing; Reprint edition April 1, 1999) Originally published 1936.

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