I would like to explode, flow, crumble into dust, and my disintegration would be my masterpiece. — Emil M. Cioran, On The Heights Of Despair. (University Of Chicago Press; 1 edition October 1, 1996)
The light of memory, or rather the light that memory lends to things, is the palest light of all…I am not quite sure whether I am dreaming or remembering, whether I have lived my life or dreamed it. Just as dreams do, memory makes me profoundly aware of the unreality, the evanescence of the world,… Continue reading Eugène Ionesco
Forgotten things grasped at things to be forgotten… — Paul Celan, from “Pain, the Syllable,” Paul Celan: Glottal Stop, 101 Poems, translated by Nikolai Popov and Heather McHugh (Hanover and London: WesleyanUniversity Press, 2000).
[P]hilosophy is the art of masking inner torments. — Emil M. Cioran, On the Heights of Despair. (University Of Chicago Press,1996) Originally published 1933.
The Death of Apollinaire (La Mort de Guillaume Apollinaire) We know nothing We know nothing of grief The bitter season of cold Ploughs long furrows in our muscles He would have rather enjoyed delight in victory We wise beneath calm sorrows caged Unable to do a thing If the snow… Continue reading Tristan Tzara
A poem, being an instance of language, hence essentially dialogue, may be a letter in a bottle thrown out to the sea with the—surely not always strong—hope that it may somehow wash up somewhere, perhaps on the shoreline of the heart. In this way, too, poems are en route: they are headed towards. Toward what?… Continue reading Paul Celan
If the birds were among us to be mirrored In the tranquil lake above our heads WE MIGHT UNDERSTAND Death would be a long and beautiful voyage And an endless holiday for the flesh for structure for bone — Tristan Tzara, from “The Death of Apollinaire (La Mort de Guillaume Apollinaire),” (1919) The… Continue reading Tristan Tzara